reconsidering craftwork historically developed by men
I start from artisanship as a sustainable
productive
collaborative
and memory-related process
I embrace the challenge of bodily experiencing the possibilities of making as a way to renew the relationship with our material culture
bleixa matèria
hexàgons de carboni
nitrat d'argent
pols de grafit
i Ferrocianur
fertilitzant
boro silici
calent i bufo insuflo
fins ser una altra
through complex,
physically demanding,
and almost alchemical processes
I embody hands and body as knowledge capabilities
subverting these practices to their limits
to a state of material transformation
to reach a point of awkward fragility
to accentuate its life cycle
to dispel the ontological binary of life and matter
al Sol, el Vidre
sabó-tinta-xinesa
ramificant
peces fallides
fragilitat incòmoda
res és més res
sustenta vida
fracassos romanents
tracen l’ocult
en un contínuum,
en transformació,
al alè pròxim
forces and affections of materials
and also their cultural connotations
and also their development in the construction of our spaces landscape appears as a consistent reference
related to first-hand observations of my geographical environment
as an osmotic absorbency of the contexts where I work.
otherworldly blown glass pieces reflecting on technologically alienated skyscrapers
globalisation and loss of cultural identity
the contrast between their ultra-modern appearance
and the actual traditional and disused procedures with which they are obtained
invites questions about the ethical emergency and moral nihilism of our time
pols de grafit
fracassos romanents
res és més res
tracen l’ocult
hexàgons de carboni
al alè pròxim
boro silici
fins ser una altra
i Ferrocianur