bleixa matèria
hexàgons de carboni
nitrat d'argent
pols de grafit
i Ferrocianur
fertilitzant
boro silici
calent i bufo insuflo
fins ser una altra
starting from craftsmanship as a sustainable,
collaborative
and memory-related process,
I physically question about the possibilities of making,
as a way of renewing the relationship with our material culture.
I claim the crucial role of the hands
and the body
as knowledge capabilities,
caring an empathic relationship with the surround
al Sol, el Vidre
sabó-tinta-xinesa
ramificant
peces fallides
fragilitat incòmoda
res és més res
sustenta vida
fracassos romanents
tracen l’ocult
en un contínuum,
en transformació,
al alè pròxim
materiality is always subject to change, whether it be through
the interaction with the environment or
the involvement of non-human
and human beings.
attending to its own agency of transmutability,
I point towards this state of impermanence
uncomfortable fragility,
accentuating its life cycle to dispel the ontological binary of life
and matter
the use of borosilicate glass
permeates between craft
and science,
intervening with other things
and species.
the kinships that emerge from these associations,
spieling their strengths and affections,
expands possibilities
that involve an ecological contingency
pols de grafit
fracassos romanents
res és més res
tracen l’ocult
hexàgons de carboni
al alè pròxim
boro silici
fins ser una altra
i Ferrocianur